Tom Ford’s Dashing Women Fall 2020 Front Row

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As we all know, it’s Fashion Week for Fall 2020, and we all know what that means, right? Front row dipped in celebs arrived from all over the world, looking fashionable. I can almost forget who’s an actor or a singer once I see them gracing the front seat next so many other exciting figures.
And then we have Tom Ford, who knows just the right celebs and the very best of clothes, cause, of course, he makes them. And then there’s New York, so Tom Ford’s women collection for Fall 2020 is quite the sight, and that I can tell only by looking at a couple of pictures. Imagine being there!

I have to start by fangirling over Chiara Ferragni, who came with her husband. I kind of wish she wore a dress, yet she didn’t and instead matched her blonde hair with a velvet turquoise suit. Taylor Hill, Gina Gershon, Camila Coelho, and Rumer Willis, who came with her gorgeous mom, Demi Moore, all shared Ferregni’s preference for pants and blazer. I feel like a lot of celebs brought a family member, like Miley Cyrus and her brother Trace Cyrus or Ciara and Russell Wilson. Dr. Dre was amongst the invites, together with his wife and daughter. Kris Jenner and Corey Gamble, Jason Momoa and Lisa Bonet and a few more couples were there too, and as I said, Tom Ford’s Fall front row is just as creative as the show itself. Other names were there, and some came by themselves, yet no one skipped the dress code for the event – dashing.

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You Should Know About These Shows From Hera Seoul Fashion Week FW 2019

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Hera Seoul Fashion Week had it’s very last FW 2019 shows just a couple of days ago, and it’s still on everyone’s mind. The five days event packed as much fashion as possible and prepared the Korean fashion-savvy for the following cold season.

Chang Kwang Hyo and few other names, including Sewing Boundaries who seemed to know the essence of Korean street style fashion – including the beloved long puffer jacket, bravely opened day one of Seoul Fashion Week. Besides the well-tailored men suit the South Korean designer introduced in his Caruso Menswear collection long aprons with a canvas feel. Ultimately the apron becomes a look-alike real-life art piece.

Songzio showcased a slightly more aggressive look, yet the clothes are inviting. Here we meet the metropolitan man who likes to keep it simple, without losing its edginess. Every piece looks impeccable, showing hints that he is a perfectionist above all. He wants the comfort, the style, and he is also the kind of man who likes to look unnaproachable.

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Behind Munn’s unique look stands South Korean designer Han Hyun-min who won just last season the Best New Designer prize at Seoul Fashion Week. The presentation for FW 2019 had a mystical feel thanks to mysterious characters hiding behind lacy full face coverups, bucket hats, and odd makeup. In spite of the secrecy, each piece is on the catwalk to win your fashionable side. Flexible, modern, easy to combine with other pieces and overall just easy to wear.

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Day five and last day of Seoul Fashion Week had the Charm’s fashion show, where models sported white highlights and as we know the South Koreans are all about looking as pretty as possible. The grey hair had been styled to look pretty, and every face on the catwalk received the good hairstyle, except for when the models rocked caps of all sorts. The clothes almost remind of Cruella, with spots of black on white mostly appearing to be stars of different sizes.

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London Fashion Week Opened With A Busy Schedule and Lots of Great Shows

London Fashion Week has just begun and I’m already in awe for these three collections:

Jamie Wei Huang’s collection at LFW is an exploring adventure, kept in place by shades of grey, mixed with blue and red. These three colors are the main characters, with blue slightly dominating more in presence and variation. Looks are build from layers of unpretentious pieces which consists of oversized shirts on top of some dress or a long skirt. Extra long scarves and socks keep warm and make it look cozy for the viewer.

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British-Chinese-Vietnamese designer A Sai Ta showcased it’s very first ‘on its own’ collection at LFW under the name ASAI. The looks carry a bit of a Peter Pan vibe, however, taken one by one, we have a bunch of good looking pieces to wear on a day to day basis. Coats have just the right feel to ‘mix and match’ with more glammy pieces, and just as good to create a very casual look. I’ve seen a handsome pantsuit and I adore the look of the skirt with a middle split leading to patterned pants.

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Gayeon collection has pieces of Victorian inspiration, at least the upper part, which makes dresses look quite tasteful. Colors throughout the entire collection are kept humble and unnoticeable but don’t be tricked by that. Clothes have so much more to offer in terms of feel and look.

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Private Policy Presented by GQ China at LFWM

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Men’s Fashion Week is on the go, London being the first stop. Already at its second day of shows, and so much has happened. By looking at a couple of collections, I can see how things have calmed down, sort of, after a very experimental period. At least that’s how I felt about what happened in the past two to three years, strictly men’s fashion speaking. My favorite so far from LVWM Autumn/Winter 19-20 is Private Policy Presented by GQ China’s collection. I vibed with it. There’s a sort of freshness to it, like a forever young spirit. I have seen clothes that could satisfy various needs, ages (if you care) and styles. All of this under the same brand. And on top of that, there’s like a brotherhood transition from a fancy suit to an edgy-looking situation. It’s all connected, even though it may, in theory, look apart. One of my favorite looks is down below.

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Front row: AJ Pritchard, Addis Miller, Eyal Booker.

Christopher Kane and its Fabolous Show at London Washion Week

Christopher Kane had a fabulous show, presented of course at London Fashion Week, where the crème de la crème of the British designers are currently showcasing collections for Spring/Summer.

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The designer does not disappoint, ever, in terms of attention to details. For this show, there’s an androgyne look, where you simply have to embrace the not knowing at whom you’re looking at. To reinforce the feel, there’s work in creating a soft, attractive look, yet elements are not always embodying the classic feminine. It’s rather playful and a little ‘out of the box’. What you never thought of, you see it here, in this collection, looking more satisfying than what you might think. Fabrics are soft. There is even a return to the classic sneaker, to which I felt I’m back to a very good place. But that’s just a ‘passing through’ the show. What’s really happening, are these red or white victorian inspired booties/shoes, carrying an emphasized shoe tongue, which gives the whole piece the perfect refined feel to work like magic next to all these architectural inspired clothes. Other booties are created to sit relaxed around the ankle and glammed up with a sparkling stripe. Another fantastic match is one between clean looking high sports shoes, with a revealing inside heel paired with clothes from the collection. I really feel Christopher managed to redefine the feminine into a genderless look, yet not losing the softness and the beauty of Venus.

Gucci Pays Tribute to Sir Elton John & 70’s in Dark-Themed SS 2018 Fashion Show

A gender mix show focused on individual pieces rather on a set of looks, was set off to unravel Gucci’s SS 2018 collection, at Milan Fashion Week, on September 20. The mood was dark with a vampiric touch, seen in the makeup, hair and the runway setup. A rather bizarre music arranged by Rob Lewis and Emre Ramazanoglu, directed by Steve Mackey accompanied the models in a trans runway walk, surely meant to add to the general vibe.

The clothes were very much Gucci, with a lot of the velvet silhouettes being mixed in with sparkly fabrics. There was a 70’s feel in the clothes, with sparkly dark nude bodysuits worn underneath, long dresses with large shoulders and men’s perfectly tailored suits. Crystal-studded jewelry, sunglasses, stunning headpieces and crystal headbands worn under the chin added to the extravaganza. Sir Elton John-inspired pieces, a Sega graphic font inspired bag, and few English high society details added into the collection are highlights of the show. “The collection is a mystery through which I can show the personal experience, aesthetic and emotions of what I live” said by designer Alessandro Michele wraps up beautifully the essence of the SS 2018 collection.

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Donatella Versace Pays Legendary Tribute To Gianni Versace With a One-Of-A-Kind Collection

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Donatella Versace paid a one of a kind tribute to Gianni Versace, the man and its work, in her SS 2018 collection, presented at Milan Fashion Week, on September 22, in Milan. The phenomenal throwback featured jaw-dropping prints from Giani Versace’s famous 90’s collections. Now legendary Versace printed tights took the lead on the white runway, accompanied by iconic Versace pieces and moments.

There was plenty of throwbacks to look at, as the runway became a time capsule seasoned with groups of three and four models mixed with two or one silhouettes strutting the glamour of 1990-1995 Versace collections. Most iconic collections to this date, such as SS 1995 butterfly-inspired print collection, the SS 1992 Animalier and Tresor de la Mere, the SS 1991 collection with the legendary Marilyn Monroe portrait by Andy Warhol, the richness of yellow and black of the FW 1991 Baroque-inspired collection, have been brought back to life. It was the sight of Gianni Versace works, collectively re-building the past. And there was more.

Donatella Versace did not pass the human factor in her effort to piece together a glamorous past. She invited Gianni’s favorite group of supermodels from the 90’s, Cindy Crawford, Naomi Campbell, Claudia Schiffer, Helena Christensen and Carla Bruni to close with style the show. The five models appeared from behind a curtain, posing still and facing the excited audience, which started clapping, even when disturbed by their phones, agendas, and cameras. The show ended with Donatella and the group of five walking out of the runway as the final piece of the show, George Michael’s Freedom, was playing in the background.

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Emporio Armani’s SS 2018 Collection at London Fashion Week

Emporio Armani’s collection at London Fashion Week had a little Barbie doll vibe to it, thanks to translucent and iridescent fabrics of pastel aquatic colors modeled into stylish tailored pants, schoolgirl-inspired and long dresses with soft ruffled bottoms, various tops, and summer casual and blazer jackets. Small geometric figures prints and applique made their way into the collection, looking jolly, almost cute, especially since the designer paired them with before mentioned pastel aquatic colored pieces. A nice change of seen was made by modern hieroglyph styled prints. The clothes looked marvelous and surprisingly still in tune with what happened before on the runway. The glimpse of color red was there, yet managed to have no say in the final result. Talking of which, could not have been better placed in time.

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Collections That Stood Out at MBFW Istanbul

Rashid by Rasit Bagzibagli
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Rasit Bagzibagli showed off a fun summery collection with a pleasant conversation of sparkly fabrics, artistically assembles of colorful stripes and a relaxed approach.

Şiyar Akboğa
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Siyar Akboga’s collection shown at MBFWI was far away from being romantic or anything of the sort, conquering eyes with elements of a fetish vibe like harness and mesh ripped off masks. In between, he added jacket suit dressy looks, wide leg pants and a nice assembly of bralettes.

Umit Kutluk
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Umit Kutluk had a couple of looks mastered with class and style for his SS 2018 collection, at MBFWI. The designer achieved greatness by shaping fabrics in an unorthodox manner, and then, with the help of girly colors, feather, embroidery and flattering cuts he added style and beauty.

Mehtep Elaidi
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A perfect high-fashion worthy collection of Mehtep Elaidi happened at MBFWI. 60’s palette of colors painted folk-inspired clothes styled by the designer in a modern manner. The inspiration is barely noticeable or at least, too well made to disrupt the rest of the conversation.




Best of Shows From NYFW SS 2018 – Part 2

Paula Knorr
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German designer Paula Knorr used the same approach like most of the brands presenting at NYFW and sent down the runway minimalistic silhouettes which she styled mostly on the sides, keeping the fabric flat on the face and back. The fabrics are shiny, velvety and lacquered, painted in soft browns, red, blue and white. For an extra feel, the designer had the models wearing knee-high boots in matching fabrics.

Xiao Li
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Xiao Li had an adorable collection perfectly executed, with see-through fabrics shaped dolly like but in a nightgown manner and finished off in a modern kind of way. Puffy sleeves, gentle ruffles here and there, geometric flower embroidery at the hem, delicate stripes and soft unpretentious bows made this collection a total crush. Colors: baby pink, baby blue, red and white.

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Speaking of crushes, Zimmermann had me completely melted and mesmerized with their fresh looking sophisticated collection. It reminds me of the aristocracy, just modernized and free of social norms. It looked summery with the flower prints and vintage hand embroidered tablecloth style embroidery arrangements. This collection is delicious but ladylike, with short skirts and white beautifully embellished shirts and jackets with pointed shoulders.

Fenty Puma
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Fenty Puma left me with a good impression, even though we are talking about sportswear. The whole collection abounds in shades of green and blue, played on eye-catching sports clothes, ranging from bralettes to leather costumes.


Best of Shows From NYFW SS 2018 – Part 1

Tom Ford
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The woman from Tom Ford’s SS 2018 collection looked classy with a slight hint of a bad-ass nuance to her personality. Her clothes are undeniably comfy, appealing and alluring. The designer explored the minimalistic appearance, an approach often seen presented at NYFW for SS 2018.

Ulla Johnson
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I don’t know if it’s the background for the show, but Ulla Johnson’s SS collection had me fallen in love with the clothes. I’m feeling the calmness in the colors she chose for this collection. I’m feeling the soft fabrics. It looks feminine and gentle, like a dream.

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GCDS’ collection is like a breath of fresh air among all the disproportionate romance going on.

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Monse stands out from the crowd by having a lovely, down to earth collection, with sporty clothes mixed with casual high heels, socks here and there and hats.

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I was surprised by how much I liked Milly’s collection. The tops are tiny, therefore quite revealing and I love that.

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Adeam is definitely one of the most well-made collections from this NYFW edition. And although the designer joined the existing obnoxious trends happening at the moment on the runway, the collection looks somehow unique from the rest. Fabrics are alluring, colors are mature, cuts are perfect.

Bibhu Mohapatra
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Bibhu Mohapatra left me speechless with an outstanding collection of dresses looking very different from everything happening trend wise. He sent down the runway luxurious looking silhouettes to which I had a hard time choosing a favorite. Execution is perfect, down to the last detail. Colors are earthy and elegant. Shapes are flattering and feminine.

Taoray Wang
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Taoray Wang is another designer with a great collection presented at NYFW. She kept it simple, and added the right details to lift up the mood of the clothes.

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Tibi had lovely long dresses and played with monochromatic silhouettes. The collection is elegant and modern yet unpretentious.




First Impression: In The Working NYFW SS 2018 Leaves Clues of Minimalistic Next Summer

NYFW is still in the workings, yet a first part is close to its end, and continues shortly after, on Monday, which is tomorrow. Speaking of this week, the shows that happened are the first glimpse of what’s going to happen for SS 2018, but that certainly doesn’t mean that we already have it all unraveled. Next week is just as important, and I’m wondering if the styles we had seen this week are going to be present in the upcoming shows.

This week I have seen designers greatly inclined to an even more minimalistic approach in their SS 2018 collections. Silhouettes are designed to look unpretentious, practical, useful and for service. It supposed to be making you feel dressed well at work, on the street and somewhere at a party. The good looks are in the hands of lace, embroidery, ruffles, and cut-outs. And yet, there’s moderation in everything that’s added to make clothes look more than just a piece of garment. The result looks good and satisfying. We almost want it to happen, we want it to be this way.
In many instances, the known shape has been broken and reassembled, a trend that we all know very well from SS 2017 collections. Androgyny is carefully explored.


The Classic and The Modern that Happened at Marchesa SS 2018 in New York for Fashion Bridal Week

Marchesa had a ridiculously beautiful bridal presentation on the 20th of April, for the New York Bridal 2017 Fashion Week and I had a hard time choosing my favorite dresses since all look frightfully presentable, I have to say. The collection satisfies both the thirst for a modernized appearance and the appreciation for the classic bridal dress.

For an interesting look, Marchesa added black to snowy white dresses, by accessorizing delicate shapes with color contrast pieces, like belts, earrings or chokers. Here and there, black is added to the dress in a minimalistic fashion, hardly looking as having been styled.

For the very romantic heart, the designer has included in the collection pale pink, delicate bows on the sleeves or at the back, fluffy looking accents and soft layers. The details are big and soft, size being added but softened to create delicacy, playfulness and ultimately, what we all want, the wow effect.

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